Session Objectives: Consider backing tracks –Develop A/V (Audio visual) project with recording focus -revise recording techniques
Even though this wasn’t officially the first Recording sessions back. It was the first one for me and the first one where we had actually used the studios. Either way, this was such a productive lesson. Our aim was to just use the whole lesson to record drums for the sound to picture song. Whilst Jacob re-recorded a bass demo using the D.I. box, i set up the drums for me to record on. Joel got all the microphones, stands and cables. It was quite a simple set up. I used a D112 for the bass drum as well as having an SM57 inside the Bass drum . I feel like having the SM57 adds to the sound of the bass drum, whereas just having the AKG D112 gives you quite a flat sound (depending on what type of drum you’re using). For the overheads, i used two C430’s, and had them quite spread out to get a good stereo sound. I had two D40’s for the Only two toms i was using, and then two SM57’s, one for the snare and then i wanted to mic the hi hat.
Even though usually people don’t use a microphone for the hi hat as they feel like the sound is picked up by the overheads anyway and it tends to bleed. However, as the type of drummer i am. I feel like it is important as it captures certain accents that gets lost with just using the overheads, then when it comes to mix it, you can’t just increase the Hi hat volume, the whole sound gets turned up. Therefore, even if when you use a microphone for the hi hat and it makes it too loud, you can just cut the track out. We run the Bass drum mic’s through the top TL Audio Ivory-series Compressor, The overheads through the Focusrite pre-amp, we decided to experiment with the focusrite, as it gives you quite a sharp sounding recording. Then the snare and toms just through the bottom TL Audio pre-amp.
I didn’t get to learn massive amounts of how to to get a great sound from all of these and how to setup the patch bay, as i was in the booth playing for Jacob to set up the levels. Initially, Joel was in there, as i wanted to be outside the booth to learn setting up. However, again it depends on the type of drummer you are recording and i went in the booth instead of Joel. I am quite a hard hitter; therefore, if we had setup levels for how Joel plays drums, we may get a great sound with compressors and what not. but when i would go in to record, the levels on logic would most likely peak as he was hitting the drums differently. However, our aim is to not waste time and just get it down and there will be plenty over times that i will be able to learn and improve my skills on the producing side of things.
The recording session went great. As i had already ran through the track once before the day prior, i already had an idea on the structure and what i would be playing on the song. To help me out i also added in simple midi drums a bar before the song would change. This was so i knew when the song was about to change to the next section, i did this because the song has different styles of music. Such as; ska, funk etc,etc. Therefore, i have to change my style of playing several times in the song. This helped me massively during recording.
Recording drums would not actually take as long as they would in the first year. We went through the song once before getting the final take. The drum was all in one take, rather than recording the different parts separately. We got a good sound that fits well with the track and once all the other instruments are recorded, it will work really well with the video.